Tuesday 25 April 2017

Ignite presentation notes

Ladan

  • Focus on Twitter
  • US General election, politicians use Twitter
  • News agenda, audience discussion
  • Interconnected world
  • Social media movements #BlackLivesMatter
  • Citizen journalism, UGC
Abayomi
  • Napster 1999
  • Streaming, delivering music without download
  • Majority of Spotify users are 18-29 year olds
  • "Access rather than own"
  • Use of social media marketing appeals to milenial audiences
  • 50 million songs streamed in 2015
Amrit
  • Instagram bought by Facebook
  • 8% of 65+ mostly youth on Instagram
  • Cyberbullying is possible
  • Huge influence of user generated content
  • Mass audience is encouraged to partake in consumerism
  • Americanisation, consumerism
  • Objectification of men and women
Callum
  • New Activision, Vivendi 2007
  • Activision - Blizzard, 2008
  • User generated content not prominent
  • Game market is expected to grow
  • Black Ops 3 was advertised on Snapchat
  • Marwick (2008) technopanic
Katie
  • Traditional distribution has changed for documentaries
  • Binge watching culture
  • YouTube is damaging to the documentary genre
  • Social media is used consistently, identification
  • Docu-dramas appeal to a larger audience
  • Added depth to documentaries which makes it relatable and sensationalises the topic
Harkiran
  • Lionsgate was originally Cineplex
  • Hunger Games was produced and distributed by Lionsgate
  • Cinema audience is older generation
  • Move to online, on demand services
  • 2014 had a 5.1% decrease of cinema goers
  • On demand offers a modern distribution model
Khadijah
  • Audiences for Netflix are mostly mainstreamers
  • It wasn't launched in the UK until later
  • Very branded presence
  • Creating original content
  • Focusing on current issues and debates
  • Promotion through social media
John
  • Apple Music is available in more than 100 countries
  • Unsigned artists can sell their work to iTunes
  • Streaming has created a boost in the music industry after years of decline
  • On demand music rose to 76%
  • The global music industry has grown

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